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The lived-in details always made Joan Micklin Silver s films pop. Silver, who died yesterday at 85 of vascular dementia at her Manhattan home, was a pioneering director in many ways. But she was a storyteller and humanist first. You always got the sense that the eyes and mind guiding her camera weren t just thinking in vague abstractions about how to bring a script to life and move the plot along. She infused her films with connectedness to lived experience. 
That the experience often took the form of a comedy or drama rooted in reality, and tended to focus on Jewish Americans, women, and hyper-educated but rudderless Baby Boomers, meant Silver had to beat impossible odds time and again in order to realize her vision. Despite the opposition she encountered throughout her career, Silver leaves behind a legacy of strikingly personal work, from her debut feature, the early-20th century black-and-white immigrant saga  Hester Street  (1975), through the alternative ....

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