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Growing up as a preacher’s kid in an evangelical church, Latimore was accustomed to a blond-haired, blue-eyed Jesus; it wasn’t until he went to college that he discovered a wider, richer world of Christian art. He painted or wrote, in iconographer parlance his first icon when he was a praying, hoeing member of a monastic farm in Ohio. When a fellow member asked what it meant to consider the lilies of the field, Latimore an­swered with an image of Jesus holding lilies and looking almost surprised by them.
Latimore’s icon Refugees: La Sagra­da Familia
, in which the flight to Egypt is interpreted as Latinx immigrants crossing the desert, adorns the cover of Pope Francis’s book A Stranger and You Welcomed Me ....

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