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The tagline of the magazine in question, Popular Western, was “Complete Quick-Trigger Stories,” which could apply to Ruscha’s photographs but not to his paintings. Even his silliest paintings are stately and brooding, often to a fault. The character of the brooding evolved over time. If the later paintings are often but not always to their detriment more explicit about our world on fire, the ’60s work prioritizes pleasure: the laid-back loops of the gas pump hoses, the blocky, confident reds, the crisp fluorescents, and the light and shadow on the glass façade provide little indication of the crises to come. ....
One of the singular accomplishments of Ed Ruscha’s long and varied career is to bring the hyperbolic image of the American billboard down to its actual size. Whether revealing the ass-end of the Hollywood sign or the lateral sprawl of Manifest Destiny down to its cinematic Sunset end, he’s served as sardonic witness to the country’s love/hate, super/under-sized relationship with itself. ....
This week, the editors recall Coosje van Bruggen’s “Entrance, Entrapment, Exit: The Process of Bruce Nauman,” an essay from summer 1986. Curator Jeffrey Weiss considers the artist’s installation, His Mark, 2021, for Artforum’s March issue.Tracing the evolution of Nauman’s practice one that investigates, according to the artist, “the possibilities of what art may be” scholar and critic van Bruggen focuses her attention largely on Nauman’s work from the 1960s. She recounts his early art-school experiments in paint and his later shift to sculpture, film, and video; she also details his pivotal ....
Una emblemática bebida italiana ingresó al Salón de la Fama de las Grandes Marcas en Argentina impulsonegocios.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from impulsonegocios.com Daily Mail and Mail on Sunday newspapers.