Coverage of the architecture industry and its (very) many discontents often delves into conflicts that reflect movements for change in the arts, law, academia, and business culture. The value of focusing on these stories at year s end extends beyond their subjects and results in a critical.
Writer and filmmaker Tambay Obenson blazed a trail in early 2000s US film criticism, founding the prolific Black cinema blog Shadow & Act and going on to serve as IndieWire’s principal Black cinema staff writer until last year, when he established Akoroko – a media platform dedicated to discourse around African film and TV. As the birth centenary of Ousmane Sembène comes to an end, Obenson muses on the monumental legacy of a filmmaker widely hailed as the ‘father of African cinema’
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