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Merging art with history

The Sam Yan and Suan Luang areas charming districts in the heart of Bangkok are filled with delicious Asian food and the Chinese-Thai way of life. Over the years, each identity and element of the cultures in this community have been passed on to the new generation.

Frolicking in Korat

Postponed since 2020 due to Covid-19, Thailand Biennale had a grandiose opening last December in Pak Chong and Phimai in Nakhon Ratchasima. Held under the themes of "Butterflies Frolicking On The Mud: Engendering Sensible Capital", "Nature Reigns Supreme In The World. Art Is Having Freedom In One Self" and "Soeng Sin Thin Ya Mo" (Celebration Of Art In The Land Of Ya Mo), the Office of Contemporary Art and Culture (OCAC), Ministry of Culture and Nakhon Ratchasima (Korat) co-hosted the events with a budget of over 120 million baht.

Contemporary mediocrities

At the recent ribbon-cutting ceremony of the Office of Contemporary Art and Culture's (OCAC) Art Collection in the spacious art hall on Ratchadamnoen Avenue, a group of ageing male artists covered in sanitary masks surrounded the director of OCAC, Vimolluck Chuchart, who gave a self-congratulatory speech. She proudly announced that the public will be able to view for the first time the national collection of the Ministry of Culture's contemporary Thai art. Beside these elderlies stood a white giant fibreglass sculpture by Sutee Kunavichyanont in Thai military uniform wearing a helmet with a rifle erect. Sutee's Equality; Thai Soldier (2016) is inspired by the cultural mandates between 1939 and 1942 during the premiere of Phibul Songkhram that aimed to uplift the national spirit and moral code of the nation and instil progressive tendencies and newness into Thai life.

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