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12/04/2024 - Martin Zandvliet’s feature is a tense kammerspiel revolving around acclaimed Danish writer Tove Ditlevsen and her toxic relationship with her husband ....
Now 82, director Jan Troell is arguably the last surviving Old Master of Swedish cinema. His movies (the first to gain international prominence was his 1971 The Emigrants ) are beautifully shot and painstakingly detailed stories, often period ones, chronicling the lives of characters struggling with difficult circumstances and environments. He is not as concerned with interior anxieties as was the man most of us consider Swedish cinema’s grandmaster, Ingmar Bergman (although Troell frequently works with actors we tend to associate with Bergman, such as Max von Sydow and Liv Ullmann). On the other hand, Troell is not nearly as dynamic a storyteller as Bergman. While even the most existentially knotty of Bergman’s films tries to grab the viewer by the back of the neck and carry him/her on a wave of narrative momentum, Troell’s movies are more insinuating. It is likely not an accident that his new movie, The Last Sentence, opens with images of water moving slowly in a stream ....