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A Dizzying Zoetrope Flashes Scenes of Portugal Through a Train Window

Colossal | Art, design, and visual culture

Max Cooper s Weakness Of The Flesh Is A Moment Of Calm

Samad Khan collaboration Weakness Of The Flesh . The composer s new EP Maps has its roots in a collaboration with The Jacob Jonas dance company, crafting a track for a special project. The track was then scored to a video sequence starring dancer Emma Rosenzweig-Bock, with film maker Kevin McGloughlin directing the clip. The full EP features the song, alongside two further re-workings, with Max Cooper now sharing Weakness Of The Flesh in full. I was struck by the raw, textural aspect to this dance project, with the vast concrete space, the dirt on Emma s face, the writhing intensity and the stuttering clones, Max Cooper says. It seemed to me to be peaceful and smooth as well as violent and rough at the same time.

Awesome In-Person And Online Events This Week: May 3 - 6

An Evening with Julia Margulies Live Talks L.A. welcomes actress Julianna Margulies ( The Good Wife, ER) who discusses her new memoir, Sunshine Girl: An Unexpected Life. She chats about her unconventional childhood (traveling between divorced parents homes in Paris, England and the East Coast) and her acting career. COST: $38, tickets include a copy of the book; MORE INFO Joseph Horning: Valerie (1975). Monday, May 3; 8 p.m. PT The Girl Can’t Help It: Trans-Femme Portraits at the Dawn of the Sexual Revolution REDCAT screens a program from Dirty Looks, a platform for queer film, video and performance. Founded in 2011 by Bradford Nordeen, Dirty Looks brings several archival trans portrait films to the forefront, from experimental cinema of the 1970s to activist videos and nightclub documents. Content warning: The virtual program contains discussions of early gender reassignment surgeries, details of police persecution and some brief nudity.

FILMS DANCE Receives More Than 1M Views, Concludes With Final Three Dance Films

Films.Dance, a groundbreaking new global film series produced by and under the creative direction of LA-based Jacob Jonas The Company concludes with the final three films, including TORN on April 19, PLUME on April 26 and, finally, WEAKNESS OF THE FLESH on May 3. These films are the final three of the 15 original dance films that began on January 25, 2021. To date, the films have garnered over 1 million views across all digital platforms from more than 200 countries. Additionally, the films will be celebrated worldwide as part of International Dance Day on April 29. The films will premiere at 9 a.m. PST on the Web atFilms.Dance, on Instagram on the @films.dance account, and the Films.Dance Facebook page. Films.Dance is co-presented by the Younes and Soraya Nazarian Center for the Performing Arts, the Wallis Annenberg Center for the Performing Arts and Chicago s Joan W. and Irving B. Harris Theater.

Evitceles reflects on architecture and memory in Endless Reach

Evitceles & Rim Mustafin reflect on architecture and memory in ‘Endless Reach’ Images of buildings from Sofia, Berlin and Perm meet in a lysergic merging via the use of a generative adversarial network, or GAN animation. Last year Bulgarian producer Etien Slavchev, who makes austere and searing electronic music as Evitceles, joined forces with the suggestively named Spite Cathedral for a split release on Mälmo’s experimental imprint Sound+Matter. ‘Endless Reach’ is the doom-laden opener to that release, pairing dread bass and haunted strings to chilling effect. Slavchev enlisted the talents of programmer and artist Rim Mustafin to create a visual accompaniment, which he created using a generative adversarial network.

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