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"A More Boxier Feel": Aspect Ratio, Architecture, and Ecology in A Cure for Wellness (2016) cineaction.ca - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from cineaction.ca Daily Mail and Mail on Sunday newspapers.
Screening from the 17th of February to the 3rd of March, the Sydney Mardi Gras Film Festival showcases the biggest and best LGBTQIA+ cinema the world has to… ....
Figure 5 – Nature in a Box: A Cure for Wellness, and 1.66:1 This brings us back to Bozelli’s comments with which this article began. The digital reconstruction of an aspect ratio that emerged in the 1950s, but has been used sparingly since, demands consideration of its particular qualities and features. In the 1950s, the coming of Cinerama and CinemaScope led Paramount to develop VistaVision and the 1.66:1 ratio, which was initially marketed as a taller and “more comfortable viewing experience.” [21] Supposedly, it allowed filmmakers to compose images with a greater deal of control and resulted in fewer distractions for the audience than did the comparatively extreme width of CinemaScope. Bazin, for instance, although describing the 1.85:1 version of VistaVision, considered it “spectacular enough to satisfy the eye, yet still rational enough to satisfy the mind.” ....