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Writing a march is no easy task, and here are some of the classics that bear repeat listening


When I began composing again after many years of ignoring that muse, I struggled to remember the “forms” of musical composition. I wanted my music to be in the correct form so that it might gain acceptance. March form was one I knew well.
March form usually has a short introduction, an A theme repeated, a B theme repeated, and a larger C theme repeated with or without a dogfight. In music, one must say “usually” because there is always an exception to the rule and we must follow where the muse leads us.
Even as I write this, Sousa’s “Stars and Stripes Forever” has been playing in my head. Another that can play in my head is Karl King’s “Barnum and Bailey’s Favorite.” These are two strikingly different marches. Sousa’s is the quintessential marching down the street march that sets a good pace for my all-too-infrequent walks. King’s march is the fast-paced circus march that I use to check my heart pace and force myself to consider how out of shape ....

Edwin Franko Goldman , Johannes Hanssen , Becky Curtis , Henry Fillmore , Johann Strauss , Sally Jablonski , Karl King Barnum , Karl King , New Horizons Orchestra , Sunday School , Main Street , எட்வின் பிராங்கோ கோல்ட்மேன் , ஜோஹன்னஸ் ஹான்சன் , பெக்கி கர்டிஸ் , ஹென்றி நிரப்பு , ஜோஹான் ஸ்ட்ராஸ் , சாலி ஜப்லோன்ஸ்கி , கார்ல் கிங் , புதியது எல்லைகள் ஆர்கெஸ்ட்ரா , ஞாயிற்றுக்கிழமை பள்ளி , பிரதான தெரு ,