Nigerian literary giant, Chimamanda Adichie, also wrote an open letter to President Joe Biden, published by the US-based The Atlantic newspaper, entitled Nigeria’s Hollow Democracy. In the piece, Adichie interrogated how Americans congratulate the winner of Nigeria’s February election. She quarreled with American establishment bending over backwards to fawn Tinubu, in the face of the quaint taint of…
Kongi, Nigeria’s Nobel Laureate, a deity before whom many Nigerians tether goats, sprinkle oil, pour libations and offer ekuru of appeasement, is going through ferment. It is a period comparable to that low moment which, the Yoruba say, when big misfortunes wrestle one down, smaller travails defecate into one’s mouth – Ti iya nla ba gbe’ni san’le, kekeke…
Rather than enter into the anti-climax which Odolaye, the poet, went into by cursing these voices of dissent – Olohun o dajo, ile o yan’ka! – this piece will seek to study the Kongi’s unraveling.
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