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This June, The Baxter will stage its largest and most illustrious undertaking in the decade. Adapted from Life and Times of Michael K, the production will combines puppetry, performance, film and evocative music. The production is adapted by Lara Foot in collaboration with the Handspring Puppet Company. The Baxter Theatre Centre is proud to announce its most ambitious and exciting production in recent years, the world premiere of Nobel Prize-winning author JM Coetzee’s Life and Times of Michael K, adapted for the stage by Lara Foot, in collaboration with the Handspring Puppet Company. The highly anticipated co-production between The Baxter, Theater der Welt Düsseldorf 2020, Düsseldorfer Schauspielhaus and Les Théâtres de la Ville de Luxembourg, debuts from 7 to 19 June 2021, and brings together some of South Africa’s most revered, multi-award-winning artists. ....
Robe on song for Idols South Africa Monday, 15 February 2021 Lighting design was by Joshua Cutts of Visual Frontier (photo: Duncan Riley) South Africa - In Pretoria, the State Theatre’s 640-seat Drama Stage hosted the rounds and finale of the 2020 Idols SA, complete with a lighting design by Joshua Cutts of Visual Frontier and technical production delivered by Dream Sets for SIC Entertainment. This sixteenth series was directed by Gavin Wratten. While the show would normally decamp to the 3000-capacity Carnival City Big Top Arena in Johannesburg for the finale, this year everything remained at the State Theatre, and while accommodating a strictly limited audience of 250, the visual elements of the production were also expanded to add some serious WOW factors! ....
Full Drama for Idols South Africa South Africa – The challenges of producing entertainment in the pandemic have seen some incredible imagination and resourcefulness from the industry in creating Covid-safe working environments so at least some sectors have been able to keep working, one of which is television. In Pretoria, the State Theatre’s 640-seat Drama Stage hosted the rounds and finale of the 2020 Idols SA, complete with a lighting design by Joshua Cutts of Visual Frontier and technical production delivered by Dream Sets for SIC Entertainment. This sixteenth series was directed by Gavin Wratten. While the show would normally decamp to the 3,000 capacity Carnival City Big Top Arena in Johannesburg for the finale, this year everything remained at the State Theatre, and while accommodating a strictly limited audience of 250, the visual elements of the production were also expanded to add some serious wow-factors . ....
Astera for Idols SA South Africa – The South African State Theatre in Pretoria’s 550 seat Drama Stage hosted both the rounds and finale of the 2020 edition of Idols SA, complete with a lighting design by Joshua Cutts of Visual Frontier and technical production delivered by Dream Sets for SIC Entertainment. This, the 16th series of Idols SA was directed by Gavin Wratten and broadcast on the Mzansi Magic network. The show would usually have shifted to the 3,000 capacity Carnival City Big Top Arena in Johannesburg for the finale, however this time, due to Covid-19 restrictions, everything remained at the State Theatre, and Josh drew on some imaginative and original lighting techniques to keep all the broadcasts looking fresh, interesting and spectacular. ....
Astera Titan Tubes light Idols SA Thursday, 4 February 2021 The State Theatre hosted both the rounds and finale of the 2020 edition of Idols SA (photo: Duncan Riley) South Africa - The South African State Theatre in Pretoria’s 550 seat Drama Stage hosted both the rounds and finale of the 2020 edition of Idols SA, complete with a lighting design by Joshua Cutts of Visual Frontier and technical production delivered by Dream Sets for SIC Entertainment. This, the sixteenth series of Idols SA was directed by Gavin Wratten and broadcast on the Mzansi Magic network. The show would usually have shifted to the 3000 capacity Carnival City Big Top Arena in Johannesburg for the finale, however this time, due to COVID-19 restrictions, everything remained at the State Theatre, and Josh drew on some imaginative and original lighting techniques to keep all the broadcasts looking fresh, interesting, and spectacular. ....