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Going Into the City | Lapham's Quarterly

Tuesday, May 11, 2021
Indian group, c. 1860. Photograph by Mathew Brady Studio. National Portrait Gallery, Smithsonian Institution, Frederick Hill Meserve Collection.
Like Europeans who ventured into Indian country, Indians who traveled to cities often did so warily. Hostile populations, both Indian and white, might render their journeys perilous, especially in times of war. After the Oneida chief Shickellamy died in 1748, his son John (Tachnechdorus) served as the Iroquois representative in the Susquehanna Valley dealing with Pennsylvania. But the French and Indian War in the mid-1750s shattered earlier patterns of coexistence; now war parties ravaged the frontier and the Pennsylvania government offered bounties on the scalps of Indian men, women, and children. Traveling between the Susquehanna and Philadelphia, John Shickellamy was cursed and insulted by “fearful ignorant people” who told him, “to his face, that they had a good mind to scalp him.” Animosities tow ....

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The Capitol Rioter Dressed Up as a Native American Is Part of a Long Cultural History of 'Playing Indian.' We Ignore It at Our Peril

The Capitol Rioter Dressed Up as a Native American Is Part of a Long Cultural History of ‘Playing Indian.’ We Ignore It at Our Peril
To understand the many dangers posed by the Capitol riots, we must explore the symbolism behind the way they present themselves.
January 18, 2021
A piece of graffiti art depicting the US Capitol riots appears in Kent on January 11, 2021. (Photo by Karwai Tang/WireImage)
Of all the images to emerge from the white supremacist invasion of the US Capitol building, there is one that epitomizes this contradictory moment: Jacob Anthony Chansley (also known as Jake Angeli) standing shirtless in a horned helmet posing with an American flag on the dais of the Senate. His face is painted red, white, and blue; a pair of eagle feathers dangle from the fur-lined headdress. He flexes a bicep in defiance, as if he has just conquered a foreign land. ....

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