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The Brooklyn Museum presents 'Modern Gothic: The Inventive Furniture of Kimbel and Cabus, 1863-82'


The Brooklyn Museum presents Modern Gothic: The Inventive Furniture of Kimbel and Cabus, 1863-82
Installation view.
BROOKLYN, NY
.- Over the course of their remarkable nearly-twenty-year partnership, immigrant cabinetmakers Anton Kimbel (1822–1895) and Joseph Cabus (1824–1898) transformed their business into a leading New York City furniture and decorating firm, and defined a new take on Modern Gothic design for the post–Civil War United States. Modern Gothic: The Inventive Furniture of Kimbel and Cabus, 1863–82 is the first museum exhibition to trace their timeless American success story, presenting new scholarship and fresh insight into the history of the enterprising design team. Over sixty objects are on view, including forty pieces of furniture as well as digitized period photographs, books, a painting, and ephemera that illustrate Kimbel and Cabus’s inventive design in a variety of contexts. The exhibition is on view from July 2, 2021, to February 13, 202 ....

New York , United States , United Kingdom , Metropolitan Museum Of Art , Barryr Harwood , Ruth Bigelow Wriston , Joseph Cabus , Max Donnelly , Shea Spiller , Alice Cooney Frelinghuysen , Luluc Wang , Melitta Jonas , Anton Kimbel , Medillh Harvey , Museum Of Art , Henryr Luce Center , Albert Museum , Brooklyn Museum , Museum Decorative Arts , New York City , Modern Gothic , Civil War United , Inventive Furniture , Barbara Veith , Ruth Bigelow Wriston Associate Curator , American Decorative Arts ,

Artdaily - The First Art Newspaper on the Net


The First Art Newspaper on the Net
 
by Claudia Carr Levy
NEW YORK, NY
.- Upon first seeing Jason Stewart’s new work, I thought of Filippo Brunelleschi’s facade of the Ospedale degli Innocenti, the foundling hospital in Florence that he was commissioned to design in 1419. The arches of the hospital facade have always captivated me. Brunelleschi’s arches are perfect in their form and progression: perfect graceful architecture. Why, I wondered, did that architectural image appear as I looked at the series of paintings called “Shaping Color”? The precision of Jason Stewart’s arcs in their spaces on canvas resonate with Brunelleschi’s architecture. The paintings seem to transpose geometric architectural form into pictorial space. Perhaps this geometry would seem to belie the dominance and importance of color in these paintings. Yet color holds the arcs; the arcs hold color. The more one looks at these works, the more one observes the paradox between color and f ....

New York , United States , United Kingdom , France General , City Of , Papua New Guinea , Michael Jordan , Linda Rich , Christopher Dawson , Joseph Cabus , Alex Winter , Jarbas Lopes , Luciana Brito Galeria , Prunella Clough , Galeria Luisa Strina , Bernardo Bellotto , Gavin Ashworth , Xavier Lalanne , Filippo Brunelleschi , Jaime Eguiguren , Jason Stewart , Butch Cassidy , Bill Bowerman , Rosemary Rogers , Vincent Canby , Putney Swope ,