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Betsy Ross' descendants give flagmaker her due


Betsy Ross descendants give flagmaker her due
By Stephan Salisbury
Philadelphia Inquirer
July 3, 2021 4:37pm
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PHILADELPHIA – When her mom died last summer, Aileen Edge and her husband, Dave, made the long, sad drive down from Washington state to settle affairs. Claire Canby Keleher lived outside of San Francisco.
Beyond her grief, Aileen had quite a task ahead. Her mom was a lover of the family legacy, which means, when you are a descendant of Betsy Ross and her third husband, John Claypoole, you have lots of stories, lots of letters and papers, and lots of gathered-in stuff going way, way back. ....

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Long-Lost Diary of John Claypoole, Husband of Betsy Ross, Is Discovered in a California Garage... - Artwire Press Release from ArtfixDaily.com


Discovered in a shoebox in a Northern California garage, the long-lost Revolutionary War diary of John Claypoole is now on display at the Museum of the American Revolution in Philadelphia. Claypoole was the third husband of Betsy Ross, the seamstress and upholsterer who has long been celebrated by many as the creator of the first American flag.
Claypoole’s handwritten diary, which includes letters and songs he transcribed, was written during the years 1781 and 1782 and later published in the late 1800s, but its location has been unknown to scholars for nearly a century. That is, until Aileen Edge and her husband David discovered it last year as they cleaned the garage of Aileen’s mother, Claire Canby Keleher, a descendant of Ross and Claypoole, who passed away last summer. The small, unassuming book was wrapped in beige paper and tucked into a box beneath bundles of family letters from the 1950s. ....

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Artdaily - The First Art Newspaper on the Net


The First Art Newspaper on the Net
 
by Antonia Gabassi
BERLIN
.- There’s an interesting story behind the curation of the latest exhibition at the Galerie Kornfeld, in the resurgent City West region of the German capital. The show is called ‘The Day I Never Met You’, and it is a billed as being a ‘conversation’ between the contemporary British artist Alexander Adams, and the late Georgian painter Natela Iankoshvili, whose estate is represented by the gallery. On first viewing one might assume that the painters were chosen because of their differences, rather than their similarities. Adams has renounced colour, painting in black, white and many shades of grey. Iankoshvili – who died in 2007 – loved applying broad brush-stokes of vibrant greens, yellows and blues on black-primed canvases. But when you look closely into the art and the artists, the similarities abound. Both apply themselves to landscapes and . More ....

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