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Way. if the director knows what they want, yeah. sure. i kind of as sidney lumet once said go here go there, you go here. larry: you follow it well. but have you disagreed look, with a guy like lumet, he tells you this is where you go when you come in the bank. you go around here. you do this. and you know what? you are in a bank robbery. you don t have to act. you are just doing what he tells you and you re there. there s the bank robbery. that s genius. so when you work with a genius, that s what you that s good. that doesn t happen often. but sometimes you get lucky. larry: one of the great movies ever made. you made some of the great movies ever made. dog day afternoon. yeah it was great. larry: and that actor you worked with. john cassell. he was a great actor. great artist. larry: when he was frado, was he had to play such a weak yeah. larry: character, yet the ....
Go here. larry: you follow it well. but have you disagreed look, with a guy like lamet, he tells you this is where you go when you come in the bank. you go around here. you do this. and you know what? you are in a bank robbery. you don t have to act. you are just doing what he tells you and you re there. there s the bank robbery. that s genius. so when you work with a genius, that s what you that s good. that doesn t happen often. but sometimes you get lucky. larry: one of the great movies ever made. you made some of the great movies ever made. dog day afternoon. yeah it was great. larry: and that actor you worked with. john cassell. he was a great actor. great artist. larry: when he was frado, was he had to play such a weak yeah. larry: character, yet the oldest brother. that was quite a job he did. you were sympathetic to him. yeah. yeah. i tell you, yeah, nobody liked ....