officers urges the force to stand up to racists , as anti racism demos continue. i keep using the term that it felt ilke i was shot with a cannon. the 29 year old mum of two, blinded in one eye after being allegedly shot by a police rubber bullet in california at a black lives protest. yet she tells me she has no regrets aboutjoining the demonstration for equality. and more than 30 years after the assassination of swedish prime minsiter olof palme, police say the main suspect is a man who died 20 years ago. good morning. the prime minister is expected to announce more plans to ease lockdown retrictions in england at the daily downing street briefing later today. the prime minister is to announce outdoor attractions including zoos, safari parks and drive in cinemas will be allowed to reopen from monday as long as they follow social distancing rules. it comes the day after the government admitted most primary schoolchildren in england would not go back before the end of term
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2020 was a hellish year for most, but especially for the musicians behind these infernal soundtracks
Gaming’s obsession with the devil’s domain goes back decades. Burning pits, endless torture, and towering structures of gore and primordial ooze are all par for the course whenever a videogame hero visits hell’s chthonic recesses. Doom Eternal, Hades, and BPM: Bullets Per Minute all transported us to their own interpretations of hell in 2020. But while the underworld’s aesthetic is already pretty clearly defined in games, capturing its harshness and brutality through music presents a whole other suite of challenges. Composer Mick Gordon learned this back in 2014, when he was tasked with re-envisioning hell’s soundscape for Bethesda’s Doom reboot.