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'Swimming Out' review: Jia Zhangke pays tribute to writers

One of the world's most important filmmakers looks back at the Mao years and beyond in this discursive, quietly affecting documentary feature. ....

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Nick Pinkerton on Jia Zhangke's Swimming Out Till the Sea Turns Blue (2020)

SPEAKING ON THE CLIMAX of his 1984 period piece Shanghai Blues, which ends on a Hong Kong–bound train from Shanghai, the Saigon-born, Hong Kong–based filmmaker Tsui Hark offered that the Chinese “are caught in something like a migrating curse, moving from one place to another.”On the face of it, Tsui’s cinema, with its staccato editing and pop sensibility, might seem to have little to do with that of Jia Zhangke, who has been the most prominent Mainland Chinese filmmaker on the festival circuit since his first feature, Pickpocket, played the Berlin International Film Festival in 1998 the title ....

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Swimming Out Till the Sea Turns Blue movie review (2021)

Chinese director Jia Zhangke can be understood as a documentarian even when he’s making fiction films. His recent features on the rapid social and related ethical/moral changes in certain regions of mainland China have a keen grounding in reality, even when they branch off from the present day and speculate on the future, as his 2015 “Mountains May Depart” does.
Interestingly, though, while his fictional films have become more directly linear and concerned with narrative momentum than his early work, his actual documentary work maintains a complexly textured and sometimes elliptical feel. “Swimming Out Till The Sea Turns Blue,” Jia’s first documentary feature in about ten years (the last was 2010’s “I Wish I Knew”) lays itself out in 18 “chapters,” some running less than three minutes, each one on a theme or person, and the filmmaker has said these chapters were conceived to feel like clouds of different shapes and sizes. ....

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