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Like much else in publishing, crowdfunding books is all about hope, faith and money. As the disclaimer on the homepage of a crowdfunding site makes clear, in surprisingly blunt prose: ‘Backing isn’t buying. You’re supporting ambitious creative work.’ Almost anything can be crowdfunded – charities, legal campaigns that call governments to account, movies, performances, software, vinyl box sets, board games – and there are a huge number of online platforms that make it possible for people to support the organisation of their choice by pledging money, including ArtistShare, Patreon, GoFundMe and CrowdJustice. In return, supporters receive anything from a bookmark to a limited-edition print; from an exquisite design monograph to the intangible sensation of helping a deserving cause. Design book publishing is dominated by Kickstarter, though Indiegogo is preferred by some publishers, and Unbound and Volume are books-only platforms ....
The New Mexico State University Department of Art will host a variety of artists from across the country as part of the virtual Visiting Artist and Scholar Lecture Series. The series will kick off with an online presentation by renowned New York based artist Michael Waugh at 6 p.m. Wednesday, Jan. 27 via Zoom. New York based artist and lecturer as part of the virtual NMSU Visiting Artist and Scholar Lecture Series Michael Waughs drawing Redacted. 2020. (Courtesy Photo) The Visiting Artist and Scholar Lecture Series is sponsored by the NMSU Department of Art in the College of Arts and Sciences and paid for by the Lilian Steinman Visiting Artist Fund. Due to COVID-19, the series was moved online. ....
The Best Graphic Design of the Year: Announcing the Winners of the PRINT Awards In 2020, after being independently acquired by a group of the industry’s best design minds, PRINT launched its first significant website redesign in a decade, and returned to the design scene to provide more inspiration, design thinking in action, thoughtful longreads, and eye candy galore than ever before. We also took stock of our signature annual competition the Regional Design Awards and decided it was time to bring it into the present like never before. When it launched in 1980, the competition had a singular goal: to show that great design was being created in cities all across the United States, and not just in the usual hubs like New York City. The democratization of the internet has only further brought that concept to powerful life, and so it was time to formally embrace the fact that no matter where a designer lives or works, the best design rises to the top. ....