For the better part of an hour, Kelli O’Hara, together with her longtime piano accompanist and arranger Dan Lipton, graciously entertained a capacity audience in the 1,200-seat Ozawa Hall and
Words matter. In Mark O’Rowe’s “The Approach," which opened over the weekend in a skillfully acted, if emotionally uninvolving, production at Shakespeare & Company’s Elayne P. Bernstein Theatre, unspoken words