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Than. i said bull [ bleep ]. so to suddenly be in an era where we could tell these rich stories. the entrance has been gained. and really create the suspense of them and the trajectory of them. get over whatever it is and do your job. in ways that maybe we couldn t necessarily in film. i do think that led to where we are now where everybody wants to be tv. no! [ laughter ] oh, yeah. you can t sit there. why not? that s where sheldon sits. he can t sit somewhere else? [ laughter ] no, no you see in the winter that seat is close enough to the radiator. in the summer it s directly in the path of a cross breeze it. faces the television at an angle that isn t direct so he can still talk to everybody not so wide that the picture ....
that season ended, and everybody died. and i thought it was brilliant. the work on tv is as good as any work that s on a big screen. and so that hierarchy of film and television, i think, has been changed dramatically. partially because of the great work that people did at h bpt o and also because of the work they did at a lot of other places. no! oh, yeah, you can t sit there. why not? that s where sheldon sits. he can t sit somewhere else? oh, no, no, you see in the winter, that seat is close enough to the radiator so he s warm but not so close three sweats. in the summer it s directly in front of a cross breeze, and it faces the television on an angle that isn t direct so he can still talk to everybody but not ....
so to suddenly be in an era where we could tell these rich stories and really create the suspension of them. and the trajectory of them. get over whatever it is and do your job. in ways that maybe we couldn t necessarily in film. i do think that led to where we are now where everybody wants to do tv. sit down, you guys. no. [ laughter ] yeah, you can t sit there. why not? that s where sheldon sits. he can t sit somewhere else? oh, no, you see in the winter that seat is close enough to the radiator so that he s warm yet not so close that he sweats. in the summer it s directly in the path of the cross-breeze created by opening windows will and there. it faces the television on the angle that isn t direct so he can still talk to everybody but not so wide that the picture looks distorted. ....
Where we could tell these rich stories. entrance has been gained. and really create the suspense of them and the trajectory of them. get over whatever it is and do your job. in ways that maybe we couldn t necessarily in film. i do think that led to where we are now where everybody wants to do tv. sit down, you guys. no. [ laughter ] yeah, you can t sit there. why not? that s where sheldon sits. he can t sit somewhere else? oh, no, you see in the winter that seat is close enough to the radiator so that he s warm yet not so close that he sweats. in the summer it s directly in the path of the cross-breeze created by opening windows there and there. it faces the television on the angle that isn t direct so he can still talk to everybody but not so wide that the picture ....
Died. and i thought was brilliant. the work on tv is as good as any work that s on a big screen. and so that hierarchy of film and television i think has been changed dramatically. partially because of the great work that people did at hbo and also because of the work they did at a lot of other places. no. oh, yeah, you can t sit there. why not? that s where sheldon sits. he can t sit somewhere else? oh, no, you see in the winter that, seat is close enough to the raidite tore that he s worm but not so warm that he sweats. in the summer it s directly in the path i ve cross breeze. it faces the television on anning and are that isn t direct so he can still talk to everybody but not so wide that ....