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BBCNEWS This Cultural Life June 4, 2024 21:41:00

You have a subject, in a very broad sense. you never give a title to the film. they re usually untitled, and then the year in which you re making the film, and then you ask each of those actors to create their own character. well, i collaborate with each actor to create a character. and what i do to start with is to get each actor to really make lists of real people they know. and i then, and this involves long discussions, one on one, with nobody else there, with each actor, and we gradually i finally whittle it down and choose the source, or usually sources, from people they know. so it means the actor has got somewhere to start, something to like an art. like the artists, like the students looking at the subject, at the model in the life drawing class the actor has got, you know, he or she is going to start to stand up and play this person they actually know, and then ....

Isn T A Character , One On , Didn T You , Life Drawing ,

BBCNEWS This Cultural Life June 4, 2024 02:44:00

And on set, are you ever writing down the lines and putting them on a piece of paper? no, i don t write and give to the actors because we don t need to. it comes out. they know it. and actually, one of the things that always amuses me and is, i think, interesting is that every time i ve ever made a film, after a few days, you hear an electrician or somebody say, i don t understand it. there s no script, but they know the lines. they never dry up, they never forget their lines. and of course, unlike an ordinary film, particularly films where they don t really rehearse properly, most of the time s taken up with people not being able to remember what to say and stuff, or looking for the character, which obviously in the case of my stuff, we ve long since established who and how the character is. your next big influence is not so much a moment, as a whole era. you want to talk about the 60s. you arrived in london from salford in 1960 at the start of that decade. what are your key cult ....

Isn T A Character , North London ,

BBCNEWS This Cultural Life June 4, 2024 02:39:00

A distillation, there s a heightening, which is a natural thing for an artist like ronald searle to do. and that s what i do. so i can t talk about a direct correlation between this ronald searle character or that character in one of my films. it s about a way of looking at life, really. the next big turning point, the next big influence, drawing, life drawing. just tell us about that class. well, here s the thing. i went to rada, i acted fora bit, including in a couple of films. i then went to camberwell art school on the foundation course for a year. i then went to a year in the theatre design department of the central school of arts and crafts, and i went to the london film school, all within four years. for me, what was. ..i mean, of those various kinds of study, the only year i spent, the only thing i did, which wasn t directly related to theatre or film, was the foundation course at camberwell. ....

Ronald Searle , Isn T A Character , Life Drawing , Turning Point , Foundation Course , Camberwell Art School , Central School Of Arts And Crafts , Theatre Design Department , Hampstead Theatre , Wasn T , London Film School ,

BBCNEWS Our World June 4, 2024 03:41:00

Drawing class, that, you know, was absolutely resonated with notions that i had on the go, in a primitive form at that point in time, that somehow, you could create theatre, you could create films in an organic way by collaborating in a way and using rehearsal as more thanjust a mechanical way of interpreting what somebody had already put down on paper. and so, from what i understand, you gather a cast of actors. you have a subject, in a very broad sense. you never give a title to the film they re usually untitled and then, the year in which you re making the film and then you ask each of those actors to create their own character. well, i collaborate with each actor to create a character. and what i do to start with is to get each actor to really make lists of real people they know. and i then and this involves long discussions, one on one, with nobody else there, with each actor ....

Hampstead Theatre , Theatre Or Film , Isn T A Character , One On ,

BBCNEWS Our World June 4, 2024 03:44:00

And putting them on a piece of paper? no, i don t write and give to the actors because we don t need to. it comes out they know it. and actually, one of the things that always amuses me and is, i think, interesting is that every time i ve ever made a film, after a few days, you hear an electrician or somebody say, i don t understand it. there s no script, but they know the lines. they never dry up, they never forget their lines. and of course, unlike an ordinary film, particularly films where they don t really rehearse properly, most of the time s taken up with people not being able to remember what to say and stuff, or looking for the character, which obviously in the case of my stuff, we ve long since established who and how the character is. your next big influence is not so much a moment, as a whole era. you want to talk about the 60s. you arrived in london from salford in 1960 at the start of that decade. what are your key cultural memories of that moment when you arrived? ....

Theatre Or Film , Isn T A Character , The Movies , North London ,