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Recently released in the original English and a Greek translation, Karen Martin’s novel, set in sun-kissed Crete exhausts the constructs of time, language and identity.
From the outset a conceptual tension is apparent between the English and the Greek versions of the novel which should be considered separate artworks in their own right, the Greek version being notable for the exceptionally high quality of its prose, rendered by Iosif Alygizakis.
In English, the title, “Dancing the Labyrinth,” is polyvalent. At first reading, it alludes to empowerment, in that one has sufficient mastery over whatever maze they find themselves in that they can actively “dance” it, that is, either dance through it, indicating that traversing it is easy, or making the Labyrinth itself dance. Either way, here, it is the Labyrinth that is the passive party. ....

Geoffrey Chaucer Troilus , Karen Martin Cressida , Iosif Alygizakis , Jean Bertrand Klus , Robert Henryson , Virgin Mary , Karen Martin , Trojan War Cycle , Geoffrey Chaucer , King Priam , Minos Kalokairinos , Classical World , கன்னி மேரி , கரேன் மார்டின் , ஜெஃப்ரி சாஸர் , கிங் ப்ரையாம் , பாரம்பரிய உலகம் ,