Louise Nevelson’s Sculpture: Drag, Color, Join, Face, by Julia Bryan-Wilson, New Haven: Yale University Press, 2023. 352 pages.THE ICONIC LOUISE NEVELSON sculpture would appear straightforward to summarize: monochrome, modular, monumental. In general, such qualities and to them we might add wooden, assemblage, usually black, comprising found objects indicate an artist singularly absorbed, working through a set of formal propositions over a career, pursuing the archetypal enterprise of the modernist master. In particular, though, up close and personal, Nevelson’s sculptures are, well, defiantly