it s hard to exaggerate what a shock this building was. the pompidou centre s facade with its confusion of pipes, ducts and external corridors was revolutionary the work of renzo piano and a young british architect called richard rogers. the building itself is inside out. in other words, what you usually see inside, which are those long, dank, dark corridors which you have in big institutional buildings and it is an institution, theoretically, though i dislike the word, it s an institution there s long, dark corridors on the outside. they re actually the fun. the inside out design made the interior airy and open and equally important was the public space outside. this was 60s egalitarianism inspired by the piazzas of his home town florence in italy. his parents had arrived in britain in the 30s. the young richard rogers struggled at school, he was dyslexic, but he got into art college and then trained as an architect where he met another future superstar of british architecture
the world renowned architect richard rogers, who was behind some of the most striking buildings of the past half century, has died at the age of 88. he gained international attention in the nineteen seventies with the pompidou centre in paris and other works included the millennium dome in london. our correspondent david sillito looks back on his life. it s hard to exaggerate what a shock this building was. the pompidou centre s facade, with its confusion of pipes, ducts and external corridors, was revolutionary the work of renzo piano and a young british architect called richard rogers. the building itself is inside out. in other words, what you usually see inside, which are those long, dank, dark corridors which you have in big institutional buildings and it is an institution, theoretically, though i dislike the word, it s an institution there s long, dark corridors on the outside. they re actually the fun. the inside out design made the interior airy and open and equally impor
back at his life. it s hard to exaggerate what a shock this building was. the pompidou centre s facade with its confusion of pipes, ducts and external corridors was revolutionary the work of renzo piano and a young british architect called richard rogers. the building itself is inside out. in other words, what you usually see inside, which are those long, dank, dark corridors which you have in big institutional buildings and it is an institution, theoretically, though i dislike the word, it s an institution there s long, dark corridors on the outside. they re actually the fun. the inside out design made the interior airy and open and equally important was the public space outside. this was 60s egalitarianism, inspired by the piazzas of his home town, florence in italy. his parents had arrived in britain in the 30s. the young richard rogers struggled at school, he was dyslexic, but he got into art college and then trained as an architect, where he met another future superstar of
with the pioneering design of the pompidou centre in paris, david sillito looks back at his life. it s hard to exaggerate what a shock this building was. the pompidou centre s facade with its confusion of pipes, ducts and external corridors was revolutionary the work of renzo piano and a young british architect called richard rogers. the building itself is inside out. in other words, what you usually see inside, which are those long, dank, dark corridors which you have in big institutional buildings and it is an institution, theoretically, though i dislike the word, it s an institution there s long, dark corridors on the outside. they re actually the fun. the inside out design made the interior airy and open and equally important was the public space outside. this was 60s egalitarianism, inspired by the piazzas of his home town, florence in italy. his parents had arrived in britain in the 30s. the young richard rogers struggled at school, he was dyslexic, but he got into art co
the pompidou centre s facade with its confusion of pipes, ducts and external corridors was revolutionary the work of renzo piano and a young british architect called richard rogers. the building itself is inside out. in other words, what you usually see inside, which are those long, dank, dark corridors which you have in big institutional buildings and it is an institution, theoretically, though i dislike the word, it s an institution there s long, dark corridors on the outside. they re actually the fun. the inside out design made the interior airy and open and equally important was the public space outside. this was 60s egalitarianism, inspired by the piazzas of his home town, florence in italy. his parents had arrived in britain in the 30s. the young richard rogers struggled at school, he was dyslexic, but he got into art college and then trained as an architect, where he met another future superstar of british architecture, norman foster. their high tech style, though, took