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Watch: Twin pōhutukawa lifted back to their roots on waterfront street
23 Apr, 2021 06:16 AM
2 minutes to read
While the city was sleeping, Auckland’s urban ngahere / forest welcomed home the first two of seven mature pōhutukawa to Quay Street in a nine-hour crane operation last night. Video / Auckland Council
While the city was sleeping, Auckland’s urban ngahere / forest welcomed home the first two of seven mature pōhutukawa to Quay Street in a nine-hour crane operation last night. Video / Auckland Council
Two 40-year-old pōhutukawa have been returned to their original home on Quay St, Auckland, in overnight crane-lift.
Blind Billy was a Lynchburg musician born about 1805 of unknown parentage who was so renowned with his instrument that his death was noted in Lynchburg and Richmond newspapers. The slave of Howell Davies, he eventually gained his freedom. As with many antebellum black musicians, more can be learned about his artistry than his life.
Blind Billy, as he was named in all known references, was part of a long tradition of black military musicians in England and the Virginia colony. Virginia legislative acts of 1723 and 1776 recognized and attempted to regulate blacks as musicians for militia companies. Fife-and-drum ensembles, often called “drum corps” or “martial bands,” were once as common as fiddlers, and march tunes were the specialty of the traditional fifer.
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