In Hank Willis Thomas’s LOVERULES—From the Collections of Jordan D. Schnitzer and His Family Foundation, at the Henry Art Gallery in Seattle, the material is the spectacle of American media itself, and the most commercial parts of it: advertisements, sports, logos, slogans—in this place, the United States, at this time—now, or what passes for now, which in Thomas’s hands includes the last four hundred years.
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Dr. Susan Gaylard has been fascinated with clothes for years, but not in the way you might think. Gaylard, an associate professor of Italian studies at the…
Artists have long been drawn to California’s sun-cloaked landscapes. But now, this idyllic light might be fading against the backdrop of social inequalities and rising air pollution.