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The Frick moves to Madison Avenue | Apollo Magazine

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It was the intention of the coal and steel tycoon Henry Clay Frick (1849–1919) that ‘the entire public shall forever have access’ to the art-filled mansion in Manhattan where he spent his final years. Its neoclassical limestone exterior is so austere that Mary Berenson called it ‘the Frick mausoleum’. The block-long building that houses the Frick Collection opened to the public in 1935 and has undergone few changes over the years. Minimal labels have done little to disturb the illusion that the robber baron and his dutiful daughter Helen, who administered the museum for decades, have just stepped out to buy a Vermeer or another of Marie Antoinette’s sideboards. It is currently closed for renovation and expansion, the latter partly underground. ....

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The Project Gutenberg eBook of A Catalogue of Books Published by Chapman & Hall, Limited, by Chapman & Hall, Limited.

The Project Gutenberg eBook of A Catalogue of Books Published by Chapman & Hall, Limited, by Chapman & Hall, Limited.
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Les défilés au chevet des châteaux français

Les défilés au chevet des châteaux français
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Salon madame necker volume 2 | European literature | Cambridge University Press

Salon madame necker volume 2 | European literature | Cambridge University Press
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The Frick Savors the Opulence of Emptiness

https://www.nytimes.com/2021/02/25/arts/design/frick-madison-moves-breuer-reopen.html
“Progress of Love” panels from the Fragonard Room at the Frick Mansion were transported to the Breuer building and illuminated by the trapezoidal window.Credit.Gus Powell for The New York Times
The Frick Savors the Opulence of Emptiness
No barriers. No texts. No heavy gold fabric. At the museum’s two-year sublet of the Breuer building on Madison Avenue, it’s just you and the masters.
“Progress of Love” panels from the Fragonard Room at the Frick Mansion were transported to the Breuer building and illuminated by the trapezoidal window.Credit.Gus Powell for The New York Times ....

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