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Chora Church, a Famed Christian Icon, to Be Reopened as a Mosque

Chora Church, a Famed Christian Icon, to Be Reopened as a Mosque
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United statesSaudi arabiaAl qahirahNea ioniaPerifereia attikisEngy magdyVirgin maryAsharq al awsatMustafa akyolHagia sophiaChrist pantocratorRasheed al khayounKariye camiiKaterina sakellaropoulouOttoman sultan mehmedTayyip erdogan

Visiting Harvard scholar David Roxburgh to give lecture on 15th-century Timurid art

Roxburgh joins School of Art + Design as inaugural Mary Ausplund Tooze Endowed Visiting Professor of Islamic & Ancient Art

United statesSultan baMarian feldmanDavidj roxburghMary ausplund toozeBaysonghor shahnamehJohns hopkins universityJournal of the american oriental societyPortland state university campusEastern studies centerEdinburgh college of artHarvard university department of history artHarvard universityUniversity of pennsylvaniaArt forumSchool of art

When in Rome | UDaily

UD art historian Denva Gallant awarded prestigious prize to conduct research at American Academy

New yorkUnited statesVillai tattiUd department of art historyUniversity of delaware denva gallantHarvard university centerHarvard university department of history artPierpont morgan libraryAmerican academyDenva gallantRome prizeEremitic idealFourteenth century italyDesert fathersMiddle eastItalian renaissance studies

Gift endows, names Cornell Jeb E Brooks School of Public Policy

The major gift from the Brooks family, whose Cornell roots span three generations, provides an early boost to help the university’s newest school achieve world-class excellence.

United statesUnited kingdomMassachusetts institute of technologyHarvard universityEarl brooksMichaeli kotlikoffCherie wendelkenMartha van rensselaer hallDepartment of policy analysisCornell jebe brooks school of publicCornell sc johnson college of businessCornell board of trusteesDepartment of governmentSloan program in health administrationHarvard university department of history artCollege of human ecology

How do museums exhibit the colonial past?

How do museums exhibit the colonial past? Kelly Horan © Mauritshuis, The Hague Jan Mijtens (Dutch, c. 1614–1670), Portrait of Maria of Orange with Hendrik van Nassau-Zuylestein and a Black Child (detail), c. 1655. Oil on canvas. When the Amsterdam Museum announced, in September 2019, that it would no longer refer to the Dutch Republic’s most robust period of cultural and economic ascendancy as its “golden age” a term that glosses over the gross inequities of the period Sarah Mallory, a doctoral candidate in the Department of Art and Architectural History at Harvard and a scholar of the period, took notice. “That term, ‘golden age,’ is so integrated into the way that people think about the Netherlands in the 17th century and its incredible flowering of arts and culture,” she says. Think Rembrandt, Vermeer, and Van Dyck. “It’s also a signal to remember some incredibly important reasons why that [flowering] was able to happen.” Namely:

United statesNew providenceMuseum of fine artsHarvard universityNoord hollandSarah malloryHague jan mijtensVan dyckAmsterdam museumHarvard university department of history artDepartment of artJan mijtensBlack childDutch republicArchitectural historyNetherlandish art

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