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René Pollesch, Iconoclastic German Theatre Director, Passes Away at 61

René Pollesch, the unorthodox trailblazer of the German "discourse theatre," who blended conventional critical theory with pop culture, and director of Volksbühne, has passed away at 67. ....

Donna Haraway , Hueckel Ren , Giorgio Agamben , Hans Thies Lehmann , Theodor Adorno , Magna Hueckel , Undeniable Influence , Beach Boy , Frank Sinatra , Der Spiegel , Love Is Colder Than Capital , Solidarity Is Suicide ,

René Pollesch, Iconoclastic German Theatre Director, Passes Away at 61

René Pollesch, Iconoclastic German Theatre Director, Passes Away at 61
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Hans Thies Lehmann , Donna Haraway , Hueckel Ren , Giorgio Agamben , Theodor Adorno , Magna Hueckel , Undeniable Influence , Beach Boy , Frank Sinatra , Der Spiegel ,

Why is the prompter strolling around the stage? Meet the secret heroes of German theatre

The <em>souffleur</em> has all but vanished, except in Germany, where they sit in the front row – or even take to the stage. As actors are placed under huge pressure, does this really make drama more exciting? ....

United Kingdom , United States , City Of , Mike Tyson , Jonathan Meese , Ibsen Hedda Gabler , Hans Thies Lehmann , Paul Mccartney , Kerstin Grassmann , Lars Eidinger , Annedore Bauer , Elisabeth Zumpe , Michael Wolf , Die Monosau , West End , Berliner Ensemble , Christine Sch , Rimini Protokoll , Gob Squad , Hedda Gabler ,

"My Bovine Heart" by Regina Heilmann

‘my bovine heart’ is a practice-based research project that investigates the potential for contemporary performance practice to engage with the moral dilemma of ‘meat culture’. It consists of a solo theatrical performance that addresses the question of ‘cowness’ through the interplay of text, image and sound within a postdramatic framework and an exegesis that discusses the paradox of attempting to speak for the animal subject through performance languages. Framed by Feminist Care Theory, this research addresses the question, is it possible to (re)present the animal with care? It argues that the artist (carer) must focus their practice (labor) on attending to the animal (cared for) sympathetically, bearing witness to animal suffering, in the co-presence of the audience to avoid replicating the power structure implicit in ‘meat culture’. This research is fundamentally informed by my practice as a Sydney based theatre maker over two decades, exploring political issues thr ....

New South Wales , Matthew Herbert , Kira Oreilly , Feminist Care Theory , One Pig , Kirao Reilly , Josephine Donovan , Maria Puig De La Bellacasa , Hans Thies Lehmann , Postdramatic Theatre , Care Theory , Animal Rights , Nterspecies Performance ,