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Its a complicated and critical moment in american formulations. ll know the title appear up here. The reason i call it a bigger game is because thats exactly what you called it. Over and over again. Viewed this war in Southeast Asia as one element in this much bigger game of International Diplomacy he was playing in that time. It is all reflected in your readings, all the evolution in the International System. The chaos that was in america at the time. All these things shaped nixons presidency. They enable the in the first place. Enabled it in the first place. Its a pretty, located story. I thought it would be helpful to start by making sure we understand the objectives and themes will be looking at today. The objectives are, what we have in this case are two nations, both decisively engaged in an epic war ....
My choice was to get as close to the action in vietnam as i possibly could. I was writing features about kids from fort worth. It is the single most rewarding thing i ever did in all my years in journalism because this would brighten up their day that someone from their hometown would look them up. My best pictures were not on the periphery of the fighting but were woven through it. The kind of pictures i took showed people waiting for something to happen. I basically tried to block out the emotional side of it in the early years, because i really believe that the journalism of detachment was what war coverage was all about. I was very jingoistic when i got there in the beginning. When i got back, i was convinced the war, whatever our good intentions, simply could not be won. Part of the reason i have always done it is a sense of wanting to be where the action is. In the bigger theater, we cast a light in dark corners around the world that you would not see without photographers. So, t ....
My choice was to get as close to the action in vietnam as i possibly could. I was writing features about kids from fort worth. It is the single most rewarding thing i ever did in all my years in journalism because this would brighten up their day that someone from their hometown would look them up. My best pictures were not on the periphery of the fighting but were woven through it. The kind of pictures i took showed people waiting for something to happen. I basically tried to block out the emotional side of it in the early years, because i really believe that the journalism of detachment was what war coverage was all about. I was very jingoistic when i got there in the beginning. When i got back, i was convinced the war, whatever our good intentions, simply could not be won. Part of the reason i have always done it is a sense of wanting to be where the action is. In the bigger theater, we cast a light in dark corners around the world that you would not see without photographers. So, t ....