at least started pointing in the right direction. [applause] john? last word. ok. i m not going to say anything about social justice. i have a thought for you. go out and rent the movie to kill a mockingbird. it is a really, really good movie. and it s a really sophisticated movie. you know, the script, you know, you can t get any better. the producer, the performances are wonderful. every bit of that movie when you look at it, try to look, you know, into the actual scenes what they re doing. it s fascinating. it s all shot on a sound stage. this movie is made at the same time that they re making what was that huge thing in the sand? oh, lawrence of arabia. right? [laughing] the same time they re shooting to kill a mockingbird. they re doing it all on the sound stage. there s a reason for that. they re doing it in black and white. you know how they had to push to get that through the studio, to make a black and white film when everybody wants color? they finally
every fashion or address it within the circle of your own ability to communicate. [applause] my book is called lust for justice and the word lust imply a certain passion. i think that what is missing over the decades as i have lived is exactly what tony is saying. the dissident voice has become either silent or is yawning itself to sleep. and we can all do something about that. i wrote this book because i wanted tony s dissident voice to be heard. i wanted the art that i did of him showing his passion and his aliveness to be seen. i thought the two of them together gave a bigger picture than just one alone. and we re all capable of in some way voicing our passion, voicing our lust for the injustices that we are all subject to. and we are all subject to the law. and, therefore, it s important to get this terrible imbalance at least started pointing in the right direction. [applause] john? last word. ok. i m not going to say anything about social justice. i have a thoug
and we are all subject to the law. and, therefore, it s important to get this terrible imbalance at least started pointing in the right direction. [applause] john? last word. ok. i m not going to say anything about social justice. i have a thought for you. go out and rent the movie to kill a mockingbird. it is a really, really good movie. and it s a really sophisticated movie. you know, the script, you know, you can t get any better. the producer, the performances are wonderful. every bit of that movie when you look at it, try to look, you know, into the actual scenes what they re doing. it s fascinating. it s all shot on a sound stage. this movie is made at the same time that they re making what was that huge thing in the sand? oh, lawrence of arabia. right? [laughing] the same time they re shooting to kill a mockingbird. they re doing it all on the sound stage. there s a reason for that. they re doing it in black and white. you know how they had to push to get
go out and rent the movie to kill a mockingbird. it is a really, really good movie. and it s a really sophisticated movie. you know, the script, you know, you can t get any better. the producer, the performances are wonderful. every bit of that movie when you look at it, try to look, you know, into the actual scenes what they re doing. it s fascinating. it s all shot on a sound stage. this movie is made at the same time that they re making what was that huge thing in the sand? oh, lawrence of arabia. right? [laughing] the same time they re shooting to kill a mockingbird. they re doing it all on the sound stage. there s a reason for that. they re doing it in black and white. you know how they had to push to get that through the studio, to make a black and white film when everybody wants color? they finally invented technicolor and all of this crap and these guys say they want to do to kill a mockingbird in black and white? and they re going to shoot it on a sound s
i m thinking how the 1960 s sought to reform things like war and racism, and they took it to the streets, and they cried out loud, and they demonstrated, chanted, boycotted tax. we have to wake up! we re in a slumber because life is fat in the united states. and we re willing to surrender constitutional rights for our own, you know, image of self-protection. and terrorism abounds. and isn t the police force, you know, wonderful to protect us? that s all era. and what we have to do is point at what is wrong and seek in every fashion or address it within the circle of your own ability to communicate. [applause] my book is called lust for justice and the word lust imply a certain passion. i think that what is missing over the decades as i have lived is exactly what tony is saying. the dissident voice has become either silent or is yawning itself to sleep. and we can all do something about that. i wrote this book because i wanted tony s dissident voice to be heard. i wanted t