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Me again. i thought you were going to say the sun was in your eyes, that is to say, your eye. you ve got filmmakers who begin in the late 80s or 90s who are just determined to always make the movies they want to make. as much as studios gained control and as much as money becomes the coin of the realm, the spirit of the 1970s, the idea that the filmmaker could still be the one in charge, will continue to sustain itself through the work that they do. royal tennenbaum because the house on archer in the winter of his 35th year. a wes anderson movie is meticulously composed, beautifully designed and curated to the last detail and tends to take place in a world that s almost a bubble, sort of siloed off from the outside world. let me ask you something. you think i m especially not a genius? ....
Growing up in a family where rock and roll was deeply suspect. he was thrust as a young boy into this world of rock stars and groupies on the road. ladies and gentlemen! seeing the freedom and the heartbreak that comes along with that freedom was really exquisite. there were two scenes. there was penny lane dancing to the wind, the cat stevens song. that felt like the soul of the movie. also the scene on the bus where they re singing tiny dancer is a way of bringing the band back together. i have to go home. you are home. ....
It revolutionized the idea of what could be female and what could be funny. you got food poisoning from that restaurant, didn t you? no, i had the same thing she had and i feel fine. oh, my. okay. oh, no. what s happening? nothing s happening. the poop scene, actually, that wasn t even in the script. no. not the bathroom. everybody, go outside. i m serious. at rehearsal john and paul came up with the idea, like what if you guys eat some really bad food and get the shits? it s happening. it s happening. up until that point it was rare to see women being real in a hardcore comedy. and that movie is unprecedented because of it. it happened. it happened. and think how many people s careers have been made by that movie. you want to get back in that restroom and not rest? no. i have to get back to my seat. yeah. you ve got to get back on my seat. melissa mccarthy got an oscar ....
Up ahead was pandora. i grew up hearing about it but i never figured i d be going there. with avatar, james cameron wants to bring back the spectacle of a 3-d movie and it s geared towards the theatrical experience which i feel like is part of james cameron s genius is he wants to make a movie that makes you have to see it in a theater. you should see your faces. studios were really in love with pre-existing intellectual properties. avatar was an idea he had been ruminating on for a long time. it s original and that is a wildly risky thing to do at that budget level. i remember taking my then 9-year-old son to see it and we just sat there in 3-d awe. to be so immersed in that world ....
Movie that could. my big fat greek wedding has been a big fat hit at the box office this summer. it was the top grossing romantic comedy and independent film of all time. you re so beautiful. she was able to turn her charming one-woman show into a global phenomenon. what s not to aspire to, if you write romantic come ddies and movies about women? we have to first get out of this bar and then the hotel and then the city and then the country. are you in or are you out? i m in. lost in translation is sophia co sophia coppola s second film. in lost in translation she tells a story that s so ....