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Special thanks for this lunch sponsorship, and thank you for seven years of their sponsorship and support which has been greatly really a key reason for us being able to host this forum free for the government and military. And to be able to do this now for the 10th year. So thank you very much. I want to just also point to your, give your attention on your seats. There are flyers that describe the next year event, september 8th and 9th at the marriot. For Corporate Executives that are interested, a series of quarterly leadership meetings. Were in the third year of that. If you look at the flip side, youll see the corporate members include cisco, aws, raytheon, hp, google cloud and others. If youre interested in that, let us know. Id also like to recognize and express our appreciation for the Advisory Board members. Ill list those once again as theyve been very helpful. ....
For a chunk of elected the records for him its the most important work in musical history. Its part of the exhibition hyper a journey into art in music some sixty artists have turned their favorite songs into installations giving the music scene a face and blending sound with the senses. This is not an academic exhibition its not a difficult or conceptual exhibition even though there are many conceptual pieces here of the things here are also very colorful very loud people so you cannot turn up a picture like you can turn up the music were trying to turn up the os here. You can start at some place. There are headphones throughout and visitors can dive into worlds of sound the unconventional seating arrangements create new perspectives. Curator max docs is not an art historian but in music journalist his approach to the exhibition has been unique from the start. That i created this makes a big. In cooperation with the i held interviews and talks with each artist and then everything was ....
For chung connected the records for him its the most important work in musical history. Its part of the exhibition hyper a journey into art and music some sixty artists have turned their favorite songs into installations giving the music scene a face and blending sound with the senses. Have been this is not an academic exhibition its not a difficult or conceptual exhibition even though there are many conceptual pieces here of the things here are also very colorful very loud people so you cannot turn up a picture like you can turn up the music but were trying to turn up the os here. You can start at the bridge. There are headphones throughout and visitors can dive into worlds of sound the unconventional seating arrangements create new perspectives. Curator max docks is not an art historian but in music journalist his approach to the exhibition has been unique from the start. I created this exhibition. In cooperation with the us its i held interviews and talks with each artist and then e ....
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Here. for a long time in europe and i ve always had that sense here in europe that because so much of nature is cultivated and domesticated i guess that it s almost as if society is above nature it s sort of like a garden concept they ve got everything set in sort of nature is a place you go for walks and so on and in the north american context nature is more law and is seen as something more powerful than society and dangerous in the grand canyon is an example that i think is you can see how the grand canyon depicted in films i mean it s seen off as a threat or a danger like in one hundred twenty seven hours that james franco grew up in and real life of a man who was trapped in the canyon nearly died. so it s a difficult film to watch yeah but but then there s flipside of that and the grand canyon is also seen as the ultimate a state of civilization the best i m able to me about is this closing scene of film in the least where they dive into the canyon symbolizing their state from mal ....