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club in european football. the england midfielder was presented in madrid on thursday after his move from borussia dortmund for an initial $111 million. £88 million. and john watson was there. when he was told by his dad 15 months ago that real madrid were interested, he said it gave him goose bumps and that set in process this big move to real madrid. and he will wear the numberfive this big move to real madrid. and he will wear the number five shirt and won t be lost on many football fans, thatis won t be lost on many football fans, that is the shirt that was won by zena deans are down, one of the all time club legends here when he was at the club here, so big shoes to fill forjude bellingham, but he is clearly excited by the prospect and says this move moves out of his comfort zone, but is a challenge he is willing to embrace. he is a great -la er, willing to embrace. he is a great player. he willing to embrace. he is a great player. he was willing to embrace. he is a ....
by the use of atomic bombs in a single night. i am afraid that the answer to that question is yes. - -(clock ticking) jon else: robert oppenheimer was the father of the atomic bomb. he was this complex ball of contradictions. oppenheimer: they are weapons of aggression, of surprise and of terror. richard rhodes: oppenheimer wanted the bomb to be used. how else would the world know what it was? eleanor roosevelt: dr. oppenheimer, are we creating something we may not be able to control? oppenheimer: in a world of atomic weapons, wars will cease. (ticking) newsreel narrator: it is d-minus one for the test of the world s first atomic device. else: this cultured, nonviolent man was responsible for birthing the most violent weapon in human history. and he devoted the rest of his life to trying to control the monster that he had unleashed. oppenheimer: if there is another world war. .this civilization may go under. kai bird: he became a political pariah. edward r. murrow: is ....
who s a creative director from visual effects house framestore, now, it s important to remember always when you re dealing with this kind of stuff, that the ai doesn t understand what it s drawing. and actually that s what gives it its unique, quirky animation style. and actually that s what gives it its unique, quirky animation style. you can see in that robot there, the controls on the front, all the buttons are rippling and glitching. yeah. it can t keep them consistent over the number of frames you ve animated it. so thatjust seems to be part of the thing where it doesn t necessarily understand what needs to stay the same in the animation. funnily enough, actually, there s a moment where the girl robot spins her head around, and that was something that itjust did serendipitously. i didn t ask for that, and itjust did it. i mean, it s one of the interesting things about this, the sort of serendipitous nature of it giving you something unexpected, which is also part o ....
the characters weren t designed by illustrators and animators. instead, they were described in english to an ai, which then created them itself. the film was made by william bartlett, who s a creative director from visual effects house framestore, and who, like a lot of generative ai creators at the moment, put it together in his spare time. it started off life as a test. and i wanted to do a test that was more elaborate than just a couple of shots. i wanted to try and string together something which had a bit of narrative to try and drive the kind of ambition of the shots. will actually had to use different generative ai tools for different parts of the process. first, he asked midjourney to come up with some still images of the kind of characters that he wanted. and so i might describe a sort of vintage tin robot playing a trumpet, for example, and then you get a kind of set of images to choose from that you might or might not like. and the great thing is that it take ....
we ll find out what lara s thinking as she immerses herself in culture. i know what i m looking at now, but how do i feel? and less than two years after ai took up art, is it ready for hollywood? spencer s getting his big trailer voice ready. the ai will listen to the audio. deep trailer voice: ..and generate me a new one. jazz music plays. this is the tinpot jazz orchestra. it lasts less than a minute, but it is a charming, glitchy, cartoon like production created using generative ai video tools. now, this means that the characters weren t designed by illustrators and animators. instead, they were described in english to an ai, which then created them itself. the film was made by william bartlett, who s a creative director from visual effects house framestore, and who, like a lot of generative ai creators at the moment, put it together in his spare time. it started off life as a test. and i wanted to do a test that was more elaborate than just a couple of shots. i want ....