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Fundació Vila Casas Museum of Contemporary Sculpture opens "Miró, Gaudí, Gomis: The Magical Meaning of Art"

Fundació Vila Casas Museum of Contemporary Sculpture opens Miró, Gaudí, Gomis: The Magical Meaning of Art
Joaquim Gomis. la Pedrera, 1946. Fons Joaquim Gomis, Arxiu Nacional de Catalunya.
PALAFRUGELL
.- The exhibition Miró, Gaudí, Gomis: The Magical Meaning of Art, co-organised with Fundació Joan Miró based on its collection, and curated by Teresa Montaner and Ester Ramos, highlights the creative affinities between Joan Miró and Antoni Gaudí, as well as the artists admiration for the architect through the photographs by Joaquim Gomis, first president of the Miró institution and a major promoter of Gaudís work.
The exhibition presents a selection of sculptures, ceramics and drawings by Joan Miró that enter into conversation with the photographs that Gomis took of Gaudís architecture, as well as an important series of etchings that, with the titles Sèrie Gaudí, Enrajolats and Gran rodona, Miró made in 1979 as a tribute to the architect. ....

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Collecting guide: Joan Miró | Christie's

Picasso told Miró, ‘After me, you are the one who’s opening a new door’
Miró never officially joined the Surrealist movement, yet that didn’t stop its founder André Breton declaring him in 1928 ‘the most Surrealist of us all’.
Picasso was similarly full of praise, telling his compatriot around the same time that ‘after me, you are the one who’s opening a new door’.
Two of the top three prices for Miró works at auction and three of the top 10 are for works painted in the mid-to-late 1920s.
From ‘anti-painting’ to the
Constellations
By the end of the decade, Miró’s aims had changed. He now said he wanted ‘to assassinate painting’. This resulted in a type of work sometimes referred to as ‘anti-painting’: collages and paintings made with unusual artistic materials such as sand, tar and feathers. ....

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