How I Shot That: The Cameras and Cinematography Behind Sundance’s Documentary Films IndieWire 2/1/2021
When choosing cameras and lenses, nonfiction filmmakers are not only guided by the look, feel, and cinematic language they want to employ, but also by what their production demands and resources allow. Which is why in answering the question of why they picked the gear they used to shoot their Sundance nonfiction feature premieres, this year’s crop of cinematographers and directors also tell us how they shot their movies the challenges and choices, as well as their cinematic styles.
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“Ailey”
Lens: Canon CN-E Cine primes; CN-E30-105mm zoom & L-series lenses.