Make up. but then also paired with a frock coat. the concert pianist s tails. yeah. when did that start? i mean, it was quite a quick sort of not particularly thought about decision about the end of 200a. i was in sydney writing a little musical with my friends, actually, and this cabaret thing i was doing was definitely quite clearly looking like the thing i should concentrate on. people were really enjoying it and the room was. you know, sometimes i was playing to two people in the audience, but in general, people were starting to take a bit of an interest. # you could be clever as voltaire # but it won t get you nowhere if you want to sell discs # and very early 2005, i did a show at the seymour centre in sydney and i had just decided to. i ve got very curly hair. i decided to straighten my hair, don t know why. and i d lost a bit of weight and ijust thought, ijust had this sense that maybe this show i was doing, which at the time was called dark side, might be a bit of a chance. an
You know, the shock of wild hair, the very thick kohl eyeliner? yeah. make up. but then also paired with a frock coat. the concert pianist s tails. yeah. when did that start? i mean, it was quite a quick sort of not particularly thought about decision about the end of 200a. i was in sydney writing a little musical with my friends, actually, and this cabaret thing i was doing was definitely quite clearly looking like the thing i should concentrate on. people were really enjoying it and the room was. you know, sometimes i was playing to two people in the audience, but in general, people were starting to take a bit of an interest. # you could be clever as voltaire # but it won t get you nowhere.# if you want to sell discs. and very early 2005, i did a show at the seymour centre in sydney and i had just decided to. i ve got very curly hair. i decided to straighten my hair, don t know why. and i d lost a bit of weight and ijust thought, ijust had this sense that maybe
Do you regret that now? regret the tone or the anger? no, no, no. i think it was very, very clever. and i think it was. i don t have regrets because i don t even understand the idea of regret. in a hypothetical parallel universe, given my time again, knowing where i was going to go and that i was going to have so much power and such a loud megaphone, i wouldn t have done it, but i didn t know even what digital technology was doing quite at that point. but are you better at taking criticism now? oh, no, no, no. you never get. you never. i m better at not reading it, and i ll never be in a situation again where one person s assessment of me can be so dominant in the digital space. but no, i m not good at taking criticism. you still take it personally? 0h, hugely, yeah. when did the tim minchin stage image and persona develop? you know, the shock of wild hair, the very thick kohl eyeliner? yeah. make up. but then also paired with a frock coat. the concert pianist s tails. yeah. when did t
Make up. but then also paired with a frock coat. the concert pianist s tails. yeah. when did that start? i mean, it was quite a quick sort of not particularly thought about decision about the end of 200a. i was in sydney writing a little musical with my friends, actually, and this cabaret thing i was doing was definitely quite clearly looking like the thing i should concentrate on. people were really enjoying it and the room was. you know, sometimes i was playing to two people in the audience, but in general, people were starting to take a bit of an interest. # you could be clever as voltaire # but it won t get you nowhere if you want to sell discs # and very early 2005, i did a show at the seymour centre in sydney and i had just decided to. i ve got very curly hair. i decided to straighten my hair, don t know why. and i d lost a bit of weight and ijust thought, ijust had this sense that maybe this show i was doing, which at the time was called dark side, might be a bit of a chance. an
Image and persona develop? you know, the shock of wild hair, the very thick kohl eyeliner. yeah. make up. but then also paired with a frock coat. the concert pianist s tails. yeah. when did that start? i mean, it was quite a quick sort of, not particularly thought about decision about the end of 200a. i was in sydney writing a little musical with my friends, actually, and this cabaret thing i was doing was definitely quite clearly looking like the thing i should concentrate on. people were really enjoying it and the room was, you know, sometimes playing to two people in the audience, but in general, people were starting to take a bit of an interest. # you could be clever as voltaire # but it won t get you nowhere # if you want to sell discs. ..# and very early 2005, i did a show at the seymour centre in sydney and i had just decided to.