In her latest column, Alayo Akinkugbe speaks with Frida Orupabo about her new London exhibition, interacting with the legacies of colonialism and slavery, and why collages can “create new and more complex ways of seeing”
WAITING IS AN ACTIVITY familiar to most, but in South Africa it carries a particular charge. In 1995, the country officially celebrated its first Day of Reconciliation, marking the supposed unification of its Black and white populations following the demise of the apartheid regime and in the wake of the first democratic elections in April 1994. It’s been twenty-eight long transitional years, and yet a truly egalitarian South Africa remains but a dream, as Black South Africans still face systemic subjugation in a white-dominated economy. This imbalance affects living conditions, quality of life,
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