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So why must you always concentrate on colour, or religion, or this . There are other ways of connecting men. I tell you this. When i left this country in 1948, i left this country with one reason only, one reason. I might have gone to hong kong, i might have gone to timbuktu. I ended up on the streets of paris. There was a theory that nothing worse could happen to me there that had already happened to me here. You talk about making it as a writer about yourself. You have to be able then to turn all the intent with which you live, because once you turn on your back on this society, you may die. You can see it seems really, really urgent, really engaging, and its a terrific watch. Its brilliantly constructed. The montage work is fantastic. The way in which they mix news footage and television and films. There is a very coherent argument, which is about the sort of nature of america, which seems every bit as pertinent now as it did when this was sort of first envisaged. The thing that was

Let s see clipHong kongMontage workNature of americaLiterature downDoesn tIt doesn t lectureBox officeHorror filmsYou haven tHaven tDirectorjulia ducournauFrench belgianCl breHazing ritualsVet school