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WHEN IT COMES TO ART, there is no such thing as a glutton. Not in Venice, where one can never get enough, certainly not during the VIP preview of a Biennale. The current edition, the fifty-ninth, has brought such a cornucopia of material from so many parts of the world to so many places around the lagoon that one might think every appetite would be sated. Alas, no! The social deprivations of the pandemic created a hunger for the IRL company of others in numbers that Covid protocols continued to repress. As Pinault Foundation curator Caroline Bourgeois told me, “Monsieur Pinault did not feel that

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