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Isabel Yap’s debut collection Never Have I Ever offers a wide variety of stories. They range from the definitely horrific “Good Girls” (The Retreat is a place intended to reform bad girls; whether it works on its young inmates is, in general, an open question, but it definitely doesn’t work for the monstrous Kaye) to the science fiction of “Milagroso”. (In the near future, manufactured food is tasty and both more affordable and more nutritional than the real thing. Still, people yearn for the natural and thrill when, with an annual miracle, a saint allows a taste of the old.) In the moving “Cup of Salt Tears”, Makino, who grieves for her terminally ill husband, was saved from drowning as a child by a kappa (a Japanese river monster that can be benign). Now her husband is dying, and the kappa reappears to assert his love for her. This is a modern fairy tale about bargains. “Have You Heard the One About Anamaria Marquez?”, set in a Filipino girl’s school, ....
Why Isabel Yap keeps coming back to fan fiction Written by Oliver Emocling enablePagination: false endIndex: In her debut story collection “Never Have I Ever,” Isabel Yap borrows from mythology and fan fiction conventions to craft narratives that remind readers of their humanity. Portrait by MEG WHITTENBERGER In my conversation with the U.S.-based Filipino writer Isabel Yap, I found myself confessing to not pursuing personal writing projects. That all I could do after a long day of work is watch an episode of the volleyball anime “Haikyuu.” “I love Haikyuu!” she says. Yap, who is currently juggling writing (both fiction and her occasional Substack posts on her practice) and product management at a start-up in California, started watching “Haikyuu” during the second year of her MBA program at Harvard Business School a period where she had to grapple for time to write. ....