Concluded. Im scott stevenson. Im the Vice President of clecks exhibititions and program. Were standing on the second floor of the museum. This is where our core excision, 16,000 square feet of exhibition space kind of wraps around this court im standing in. So we enter here on my left and we wraparound 16 galleries and theaters, past behind the big painting you see, all the way around, and you actually exit just opposite of where were standing here. You enter a subject of king george the iii. When you leave youre a citizen of the american republic. So we tell a story. The core narrative is about 1760 to 1790, but then we carry you through the present day to explore the legacies of the American Revolution. First we have to step back to 1776, and we actually start with the recreation of the moment july 9, 1776, when a group of sailors and soldiers in new york city first heard the declaration of independence and gathered at a landmark familiar to many viewers and tore down an equestrian
Concluded. Im scott stevenson. Im the Vice President of clecks exhibititions and program. Were standing on the second floor of the museum. This is where our core excision, 16,000 square feet of exhibition space kind of wraps around this court im standing in. So we enter here on my left and we wraparound 16 galleries and theaters, past behind the big painting you see, all the way around, and you actually exit just opposite of where were standing here. You enter a subject of king george the iii. When you leave youre a citizen of the american republic. So we tell a story. The core narrative is about 1760 to 1790, but then we carry you through the present day to explore the legacies of the American Revolution. First we have to step back to 1776, and we actually start with the recreation of the moment july 9, 1776, when a group of sailors and soldiers in new york city first heard the declaration of independence and gathered at a landmark familiar to many viewers and tore down an equestrian
Concluded. Im scott stevenson. Im the Vice President of clecks exhibititions and program. Were standing on the second floor of the museum. This is where our core excision, 16,000 square feet of exhibition space kind of wraps around this court im standing in. So we enter here on my left and we wraparound 16 galleries and theaters, past behind the big painting you see, all the way around, and you actually exit just opposite of where were standing here. You enter a subject of king george the iii. When you leave youre a citizen of the american republic. So we tell a story. The core narrative is about 1760 to 1790, but then we carry you through the present day to explore the legacies of the American Revolution. First we have to step back to 1776, and we actually start with the recreation of the moment july 9, 1776, when a group of sailors and soldiers in new york city first heard the declaration of independence and gathered at a landmark familiar to many viewers and tore down an equestrian
Concluded. Im scott stevenson. Im the Vice President of clecks exhibititions and program. Were standing on the second floor of the museum. This is where our core excision, 16,000 square feet of exhibition space kind of wraps around this court im standing in. So we enter here on my left and we wraparound 16 galleries and theaters, past behind the big painting you see, all the way around, and you actually exit just opposite of where were standing here. You enter a subject of king george the iii. When you leave youre a citizen of the american republic. So we tell a story. The core narrative is about 1760 to 1790, but then we carry you through the present day to explore the legacies of the American Revolution. First we have to step back to 1776, and we actually start with the recreation of the moment july 9, 1776, when a group of sailors and soldiers in new york city first heard the declaration of independence and gathered at a landmark familiar to many viewers and tore down an equestrian
Good evening, ladies and gentlemen. Good evening. My name is kevin butterfield. Im the executive director of the washington library. Its my great pleasure to welcome you here tonight on behalf of the Mount Vernon Ladies Association and to our annual Martha Washington lecture. The event was created to share scholarship and insights into the life and times of Martha Washington and is made possible through a generous grant from the Richard S Reynolds foundation of richmond, virginia. Tonights Exciting Program celebrates the publication of an important new book, the papers of Martha Washington, one many years in the making actually part and related to a much bigger project, the papers of george at the university of virginia and sponsored by the Mount Vernon Ladies Association. Since 1968, the project began with the ambitious aim of publishing all of George Washingtons correspondence, but its since expanded to include other members of his family, allowing us to know so much more about the p