In one of history’s great ironies, much of Francisco Goya’s later work, when he was principal court painter to Spanish royalty, placed him at odds with the very institution of the court painter.
The artist rarely showed the drawings that made his revolutionary paintings possible, but the Met is finally putting them centre stage, writes Michael Prodger
The frisky side of a classical master: National Gallery s Poussin and the Dance reviewed spectator.co.uk - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from spectator.co.uk Daily Mail and Mail on Sunday newspapers.