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KQEH Maria Hinojosa One-on-One September 23, 2017

Separate things at the same time . Yeah, i mean, its awkward for me, just because, you know, as a person, i hate to wear that, even though some people identify that. But its good to make work; i mean, thats what it comes down to. Its good to make work, and for me, its just as an artist not as a native person or an american person, but as an artist its important to make things that kind of explore, you know, who we are as americans, who i am as a native american, what tribalism means, and so thats all just, you know, part of it. Hinojosa you, though. The film that everybody has seen Smoke Signals was extraordinary, because it was the first feature film directed by a native american director that made it to national release. Had a huge following; in fact, you said that the film kind of went on and on and on. Yeah. Hinojosa . For a long time. What was the impact of Smoke Signals, ....

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KCSM Maria Hinojosa One-on-One March 5, 2017

Time . Yeah, i mean, its awkward for me, just because, you know, as a person, i hate to wear that, even though some people identify that. But its good to make work; i mean, thats what it comes down to. Its good to make work, and for me, its just as an artist not as a native person or an american person, but as an artist its important to make things that kind of explore, you know, who we are as americans, who i am as a native american, what tribalism means, and so thats all just, you know, part of it. Hinojosa you, though. The film that everybody has seen Smoke Signals was extraordinary, because it was the first feature film directed by a native american director that made it to national release. Had a huge following; in fact, you said that the film kind of went on and on and on. Yeah. Hinojosa . For a long time. What was the impact of Smoke Signals, now that you stand back and ....

New York , United States , Klamath Falls , South Dakota , Willy Holtzman , Maria Hinojosa , Sherman Alexie , Adam Beach , Alice Kleberg Reynolds , Evan Smith , Chris Eyre , Smoke Signals , Television Like , Law Order , American Men , Film Video Center , Video Center , Center National , National Museum , Museum American , American Indian , Indian New , York City , Film Festival , American Cinema , Southern California ,

KCSM Maria Hinojosa One-on-One October 29, 2016

Time . Yeah, i mean, its awkward for me, just because, you know, as a person, i hate to wear that, even though some people identify that. But its good to make work; i mean, thats what it comes down to. Its good to make work, and for me, its just as an artist not as a native person or an american person, but as an artist its important to make things that kind of explore, you know, who we are as americans, who i am as a native american, what tribalism means, and so thats all just, you know, part of it. Hinojosa you, though. The film that everybody has seen Smoke Signals was extraordinary, because it was the first feature film directed by a native american director that made it to national release. Had a huge following; in fact, you said that the film kind of went on and on and on. Yeah. Hinojosa . For a long time. What was the impact of Smoke Signals, now that you stand back and ....

New York , United States , Klamath Falls , South Dakota , Willy Holtzman , Maria Hinojosa , Sherman Alexie , Adam Beach , Alice Kleberg Reynolds , Evan Smith , Chris Eyre , Smoke Signals , Television Like , Law Order , American Men , Film Video Center , Video Center , Center National , National Museum , Museum American , American Indian , Indian New , York City , Film Festival , American Cinema , Southern California ,