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Now streaming: 'The Bad Guys' are a good time

"The Bad Guys" is a fun family film that zips along on stylish, fast-paced heist movie irreverence and some welcome visual originality. This is DreamWorks animation as filtered through the lens of a Guy Ritchie or Quentin Tarantino action movie. And that proves to be a winningly slick combo.

Australia
Japan
Paddington
Western-australia
Chicago
Illinois
United-states
Japanese
Australian
Iliana-isabella-perez
Alex-borstein
Stephen-kramer-glickman

Now streaming: 'The Bad Guys' are a good time

"The Bad Guys" is a fun family film that zips along on stylish, fast-paced heist movie irreverence and some welcome visual originality. This is DreamWorks animation as filtered through the lens of a Guy Ritchie or Quentin Tarantino action movie. And that proves to be a winningly slick combo.

Australia
Japan
Paddington
Western-australia
Chicago
Illinois
United-states
Japanese
Australian
Iliana-isabella-perez
Alex-borstein
Stephen-kramer-glickman

Now streaming: 'The Bad Guys' are a good time

"The Bad Guys" is a fun family film that zips along on stylish, fast-paced heist movie irreverence and some welcome visual originality. This is DreamWorks animation as filtered through the lens of a Guy Ritchie or Quentin Tarantino action movie. And that proves to be a winningly slick combo.

Australia
Japan
Paddington
Western-australia
Chicago
Illinois
United-states
Japanese
Australian
Iliana-isabella-perez
Alex-borstein
Stephen-kramer-glickman

Now streaming: 'The Bad Guys' are a good time

"The Bad Guys" is a fun family film that zips along on stylish, fast-paced heist movie irreverence and some welcome visual originality. This is DreamWorks animation as filtered through the lens of a Guy Ritchie or Quentin Tarantino action movie. And that proves to be a winningly slick combo.

Australia
Japan
Paddington
Western-australia
Chicago
Illinois
United-states
Japanese
Australian
Iliana-isabella-perez
Alex-borstein
Stephen-kramer-glickman

'Minions: The Rise of Gru' review: Did this really need to be a saga?

“Minions: The Rise of Gru” is confusing before it even starts: Where exactly does this story fall within the “Despicable” timeline? It brings in the character of Gru as a youngster, inexplicably elaborating on his origin in a movie that’s supposed to be about little weirdos who say “banana!” all the time. Did this really need to be a saga? Film critic Jesse Hassenger reviews the latest from Illumination.

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