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Saturday, December 12, 2020 THE prisoners at the heart of Beethoven’s only opera emerge from the stygian darkness of lockdown into bright sunlight. “Oh what joy! In the open air, freely to breathe again! The dungeon is a grave.” Their fervent chorus embodies one of the most powerful expressions of release in all music. Opera North’s concert presentation of Fidelio was intended to be staged in front of a socially distanced audience limited to 250. Unfortunately the vagaries of Tier 3 necessitated a performance behind closed doors, but thanks to the technological wizardry of livestream this is now accessible on demand. More importantly, an auspicious musical event has been captured for posterity. Surely an emotionally charged occasion for the Opera North Orchestra, Chorus and principals taking part as this would be the first time they had all performed together since early March. ....
Fidelio, Opera North online review - less is really more | reviews, news & interviews Fidelio, Opera North online review - less is really more Fidelio, Opera North online review - less is really more Adaptation leaves Beethoven s music in all its glory by Robert BealeMonday, 14 December 2020 Space to act and interact: soloists, orchestra and chorus in Opera North s Fidelio from Leeds Town HallAll images by Richard H Smith Adaptability is the name of the game for big companies in the music business now. And Opera North’s streamed presentation of Beethoven s Fidelio from inside Leeds Town Hall is a prime example of just how adaptable things need to be. ....
Last modified on Fri 18 Dec 2020 05.54 EST Opera Northâs Fidelio went ahead in the teeth of the regionâs tight pandemic restrictions. The concert performance, recorded in an empty Leeds Town Hall and available to stream, proved much more than merely a victory over challenging circumstances. The musical lineup had always looked pretty special on anyoneâs terms, and the musicians duly delivered a gripping operatic experience in which every aspect of the show seemed to come together. What made the impact so strong? There was, of course, the excitement of a British company performing a major opera again after so long. There was the appropriateness of this particular opera, performed just days before Beethovenâs 250th anniversary. Then there was the electrifying reminder, in Mark Wigglesworthâs reading, of how brilliant a piece Fidelio is, and of how radical Beethovenâs imprisonment subject still is today. Last, but by no means least, there was the ....