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Live Rogue Valley theater, livestream plays: May 21
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Rogue Valley live theater, virtual plays: May 14
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A Surprising First Live Show, in the Hometown I Once Fled
Back in Honduras for the first time in a decade, a critic finds hopefulness in a city’s cultural ferment including an energetic theater troupe.
Jean Navarro, left, and María Antonia Pacheco in the Casa del Teatro Memorias production of “La ciudad oscura,” a Spanish play adapted for a Honduras audience.Credit.Ezequiel Sánchez
By Jose Solís
On March 12, 2020, I went to an afternoon movie. I was struck by the heavy feeling in Midtown; people looked less determined, more afraid. There were interminable lines inside the drugstores, and at the IMAX theater that seats more than 4,000 people, there was me and a stranger who walked in during the previews.
Print
The weekend is young, and I’m feeling partial to patty melts and Bloody Marys (with gobs of horseradish,
por please). I’m
Carolina A. Miranda, arts and urban design columnist at the Los Angeles Times, with the week’s essential culture news and chihuahua imitators.
Our cartoon avatars
The
cartoon is endlessly malleable, able to serve as a staple of children’s programming even as it questions gender norms (e.g. Bugs Bunny) or functions as a proponent of U.S. foreign policy (may I introduce you to U.S. soft power ambassador Donald Duck?).
Artist
Paul Pescador is interested in cartoons for those reasons but for many others, too: their saturated color, their emotionality cartoons are pure melodrama and their ability to render bodies in inventive ways. “There is no more abstract version of the body than the cartoon,” says Pescador. “You shift a pencil line and you make something more curved, and you make it more feminine. It can make this remarkable c
OSF, The Civilians team up on interactive theatrical experience
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