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Sin Review: The Madness and Melancholy of Michelangelo Sin Review: The Madness and Melancholy of Michelangelo Andrei Konchalovsky s handsomely lensed film about the great Italian artist grapples with how to create divine works amid earthly travails. Manuel Betancourt, provided by FacebookTwitterEmail Director: Andrei Konchalovsky With: Alberto Testone, Jakob Diehl, Francesco Gaudiello, Federico Vanni, Glenn Blackhall, Orso Maria Guerrini, Anita Pititto. (Italian dialogue) Running time: Running time: 134 MIN. To say “Sin” is about Michelangelo is much too reductive. Rather than offering up a definitive portrait of the Italian artist, Russian director Andrei Konchalovsky has crafted instead He’s all those things and yet defined by none of them. It’s telling that “Sin” doesn’t actually spend much time with Michelangelo creating, less interested as it is in what makes a great artist than in the material conditions that shape and insp ....
MICHELANGELO BUONARROTI, that incomparable Renaissance Man, is masterfully brought back to life by Russian film maestro Andrei Konchalovsky in Sin (Il Peccato), which he co-wrote and directed. In it, Alberto Testone incarnates Michelangelo in early-16th century Renaissance Italy in Rome, Florence and the quarry where the sculptor connives to snag the world’s largest slab of marble known to man. Will “the monster,” as this gigantic chunk of snow-white rock is called because of its sheer immensity, be for his Sistine Chapel patron Pope Julius II’s (Massimo De Francovich) tomb or will it be commissioned by the new Pope, Leo X (Simone Toffanin) for the San Lorenzo Basilica? ....
My father, Richard Rampell, was a photographer who used to exhibit his artsy black and white pictures in Manhattan’s top photo galleries. Always a good provider, Dad supported our family by teaching at Boys High in Bed Stuy, explaining: “All artists require patrons. ....