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About being in the favelas. i think that mst and the favelas in brazil need to be respected because.. ..we cannot criminalise those people, you know, either the movements and either the favelas. and what the opposition does and what polarisation does is when they start sharing a lot of fake news and when they start saying that, oh, people who vote for lula are this, and people who vote for someone else are that. this is when polarisation starts, and now the government here that i am part of and i m very honoured to be a part of and our president lula and all the ministers that have been working for a better place in brazil, is to strengthen our democracy. people need to understand that when we re talking about poor people, we re talking about quilombolas, mst, or the favela people or black people, we re talking about people ....
When we re talking about poor people, we re talking about quilombolas, mst, or the favela people or black people, we re talking about people who didn t have opportunity to do a lot of in life because of racism. given the. it all comes to opportunity and to racism. just finally, it is possible it s going to be a very dangerous place for you to be in the next few years, in the heart of politics. i lljust remind you that after your sister was killed, you said that, if i have to be the next marielle to die, i will be. but you said, i am. ..determined to continue her work. do you still. obviously you still feel that today, but you still feel the threat? i think that in any place in brazil, we are threatened. there is no place safe here, you know, when you decide to fight for human rights. i think that the thing that make us wake up every day ....
In the 21st century? we are in very good contacts with colleagues in the emirates or in china and looking carefully around. i think it s interesting to see what happens in these countries and.but i believe it is not a convincing idea to export european or western museums worldwide. how a museum works in singapore or in brazil, it depends on the situation in these countries and, but internationally or globally, we have to rethink and to really find what a museum could be, and i think we can learn a lot from different types of museums, especially, for instance, somewhere in the favela in southern america, it s perhaps more influential on museums than the big, new building, iconic ....