For over three decades, Pat Steir has been one of the leading painters in America. Her abstract waterfalls, with their rivulets of paint descending through cosmic spaces, discover unsuspected possibilities in the vocabulary of gestural abstraction, and reveal a profound spiritual dimension to contemporary art.
My Tone sings in the minds of my 100,238 selves, a marvelous agglomeration of workers and gardeners and artists and Ambassadors that together compose the singular being that is me. As long as they retain the basic brainwave that allows them to hold my Tone, I can alter their form in nearly any way I require. In this vein I give each of me a different look depending on their purpose or their instrument. We all wear a luxurious red cravat, a signature accessory to go with my signature Tone, that wonderful, extra-dimensional note that binds them together and makes the many one.
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With the exhibition C. C. Wang: Lines of Abstraction at Hunter College, art historians Wen-shing Chou and Daniel M. Greenberg set out to present the artistic side of the collector.